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The Hormone Diaries: The Bloody Truth About Our Periods
“In the animated film Megamind, released in 2010,the villain (Megamind) finally defeats the hero he’s spent his whole life fighting against. The hero is your stereotypical macho male and embodies the idealised superhero masculinity. He is ‘defeated’ (spoilers)because Megamind traps him in a room made of copper and copper weakens his powers so he can’t escape. Why is this relevant, Hannah, I hear you ask? Well, how do you think the IUD works without any hormones in it? COPPER IS TOXIC TO SPERM!
I would just really love to know if the writers of Megamind knew this and that’s why they chose copper to kill off the hyper-masculine character. Surely it can’t be a coincidence.”
Macho Male
Iud
Megamind
Superhero Masculinity
“Human race spoilers: we go extinct and none of this shit matters at all. So just enjoy yourself.”
Nihilism
“We are spoilers and we are around spoilers!”
Spoilers
Spoiler
Around
“The story of evolution is more dramatic, more compelling, more intricate than any creation myth. Yet like any creation myth, it is a tale of transformations, of sudden and spectacular changes, eruptions of innovation that transfigured our planet, overwriting past revolutions with new layers of complexity. The tranquil beauty of our planet from space belies the real history of this place, full of strife and ingenuity and change. How ironic that our own petty squabbles reflect our planet's turbulent past, and that we alone, despoilers of the Earth, can rise above it to see the beautiful unity of the whole.”
Life
Science
Evolution
Unforgiven
“THIS QUOTE CONTAINS SPOILERS FOR UNFORGIVEN
Then she was at the bottom, in the filtered light, alone. Black water filled her nose and mouth, her stomach, her lungs.
Her soul.”
Lucifer
Unforgiven
Lilith
The Black Prince
“Some people are just 'diminishers' and 'spoilers' for others. I suppose almost everybody diminishes someone. A saint would be nobody's spoiler.”
Toxic People
Toxic Relationships
Iris Murdoch
The Black Prince
“These days, in the world of apps and social media and … idiot friends, it is literally impossible to avoid spoilers.
If a character dies, it is gonna be the number one trending topic on Twitter, it is gonna be the top trending story on Facebook — and Reddit and Tumblr just turn into a completely uncensored memorial service of memes.
This happens all the time with sports results, but — I shit you not — I once got a notification from the BBC News app saying that a character in a show I was watching had just died! I thought that news notifications are supposed to be for impending natural disasters, not for just ruining my bloody afternoon.”
Spoilers
Social Media
Dan Howell
Danisnotonfire
The Scarlet Plague
“The fleeting systems lapse like foam,'" he mumbled what was evidently a quotation. "That's it—foam, and fleeting. All man's toil upon the planet was just so much foam. He domesticated the serviceable animals, destroyed the hostile ones, and cleared the land of its wild vegetation. And then he passed, and the flood of primordial life rolled back again, sweeping his handiwork away—the weeds and the forest inundated his fields, the beasts of prey swept over his flocks, and now there are wolves on the Cliff House beach." He was appalled by the thought. "Where four million people disported themselves, the wild wolves roam to-day, and the savage progeny of our loins, with prehistoric weapons, defend themselves against the fanged despoilers. Think of it! And all because of the Scarlet Death—”
Wolves
Civilization
Ruin
Plague
Savages
True at First Light
“We were no longer, technically, children although in many ways I am quite sure that we were. Childish has become a term of contempt.
"Don't be childish, darling."
"I hope to Christ I am. Don't be childish yourself."
It is possible to be grateful that no one that you would willingly associate with you say, "Be mature. Be well-balanced, be well-adjusted."
Africa, being as old as it is, makes all people except the professional invaders and spoilers into children. No one says to anyone in Africa, "Why don't you grow up?" . . .
Men know that they are children in relation to the country and, as in armies, seniority and senility ride close together. But to have the heart of a child is not a disgrace. It is an honor. A man must comport himself as a man. . . . But it is never a reproach that he has kept a child's heart, a child's honesty and a child's freshness and nobility.”
Children
Child
Childish
“But since we’re on the topic of identity and narrative voice - here’s an interesting conundrum. You may know that The Correspondence Artist won a Lambda Award. I love the Lambda Literary Foundation, and I was thrilled to win a Lammy. My book won in the category of “Bisexual Fiction.” The Awards (or nearly all of them) are categorized according to the sexual identity of the dominant character in a work of fiction, not the author. I’m not sure if “dominant” is the word they use, but you get the idea. The foregrounded character. In The Correspondence Artist, the narrator is a woman, but you’re never sure about the gender of her lover. You’re also never sure about the lover’s age or ethnicity - these things change too, and pretty dramatically. Also, sometimes when the narrator corresponds with her lover by email, she (the narrator) makes reference to her “hard on.” That is, part of her erotic play with her lover has to do with destabilizing the ways she refers to her own sex (by which I mean both gender and naughty bits). So really, the narrator and her lover are only verifiably “bisexual” in the Freudian sense of the term - that is, it’s unclear if they have sex with people of the same sex, but they each have a complex gender identity that shifts over time. Looking at the various possible categorizations for that book, I think “Bisexual Fiction” was the most appropriate, but better, of course, would have been “Queer Fiction.” Maybe even trans, though surely that would have raised some hackles.
So, I just submitted I’m Trying to Reach You for this year’s Lambda Awards and I had to choose a category. Well. As I said, the narrator identifies as a gay man. I guess you’d say the primary erotic relationship is with his boyfriend, Sven. But he has an obsession with a weird middle-aged white lady dancer on YouTube who happens to be me, and ultimately you come to understand that she is involved in an erotic relationship with a lesbian electric guitarist. And this romance isn’t just a titillating spectacle for a voyeuristic narrator: it turns out to be the founding myth of our national poetics! They are Emily Dickinson and Walt Whitman! Sorry for all the spoilers. I never mind spoilers because I never read for plot. Maybe the editor (hello Emily) will want to head plot-sensitive readers off at the pass if you publish this paragraph. Anyway, the question then is: does authorial self-referentiality matter? Does the national mythos matter? Is this a work of Bisexual or Lesbian Fiction? Is Walt trans? I ended up submitting the book as Gay (Male) Fiction. The administrator of the prizes also thought this was appropriate, since Gray is the narrator. And Gray is not me, but also not not me, just as Emily Dickinson is not me but also not not me, and Walt Whitman is not my lover but also not not my lover. Again, it’s a really queer book, but the point is kind of to trip you up about what you thought you knew about gender anyway.”
Gender
Identity
Sexuality
The Way We Fall
“Spoilers follow
I started reading the third act of Hamlet, and I got about two pages in when I realized there's no point.
I am never going back to school.
I am never going to the university.
I am never going to watch wolves stalk through the northern forests or elephants graze on the savanna. I am never going to have sex or get married or raise a family. I'm never going to have a first apartment, a first house, a first car. I'm never”
Giving Up
Hopelessness
Nihilism
Virus
Terminal Illness
Clockwork Princess
“Tessa reached to brush the damp hair from his forehead. He leaned into her touch, his eyes closing. “Jem—have you ever—” She hesitated. “Have you ever thought of ways to prolong your life that are not a cure for the drug?”
At that his eyelids flew open. “What do you mean?”
She thought of Will, on the floor of the attic, choking on holy water. “Becoming a vampire. You would live forever—”
He scrambled upright against the pillows of the bed. “Tessa, no. Don’t—you can’t think that way.”
“Is the thought of becoming a Downworlder truly so horrible to you?”
“Tessa …” He exhaled slowly. “I am a Shadowhunter. Nephilim. Like my parents before me. It is the heritage I claim, just as I claim my mother’s heritage as part of myself. It does not mean I hate my father. But I honor the gift they gave me, the blood of the Angel, the trust placed in me, the vows I have taken. Nor, I think, would I make a very good vampire. [redacted for spoilers] I would no longer be Will’s parabatai, no longer be welcome in the Institute. No, Tessa. I would rather die and be reborn and see the sun again, than live to the end of the world without daylight.”
“A Silent Brother, then,” she said.
His eyes softened slightly. “The path of Silent Brotherhood is not open to me.”
Tessa Gray
Jem Carstairs
Silent Brothers
The Midnight Hour
“The point is, we all come to forks in the road, and we all make our choices and live with them, for good or ill..[spoilers left out]...You came to a fork in the road, and you made the best choice you could at the time, under the circumstances you were faced with and using the information you had. You have nothing to beat yourself up over. -Tony Marino”
Choices And Consequences
Unforgiven
“THIS QUOTE CONTAINS SPOILERS FROM UNFORGIVEN
"This whole time, I've been in Hell?" She stepped away from Cam, out of the spotlight and into darkness.
"Because of you.”
Hell
Crossroads
Unforgiven
Cam
Lilith
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