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The Origins of Totalitarianism
“The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist.”
Communism
Totalitarianism
Nazism
Post Factual
One Italian Summer
“History, memory is by definition fiction. Once an event is no longer present, but remembered, it is narrative. And we can choose the narratives we tell—about our own lives, our own stories, our own relationships. We can choose the chapters we give meaning.”
Grief
Memory
Fiction
History
“A collection like a circus of daredevils, but with the determined charm of a Chinese drag queen making her home in Iowa. Siasoco takes us on a trip through the world we know by way of characters I've not seen in fiction before, or at least, not enough of--characters with stories I have been waiting for. A bravura debut.”
Foley
Foley Artist
Siasoco
Monster, She Wrote: The Women Who Pioneered Horror and Speculative Fiction
“Perhaps the weirdest tale is how we’ve managed to forget the women who created such amazing stories.”
Weird Tales
Amazing Stories
L'Imprudence
“C'est un retour sans joie. Le monde que nous avons laissé derrière nous n'existe plus. L'Indochine française s'est effacée. Le Royaume du Laos a basculé. Une république communiste s'est emparée des terres et des esprits. Nous avons rompu avec ce système-là. Notre pays imaginaire te hante, je le sais. Par mon ignorance, je suis préservée de son emprise. Moi, je n'ai que des hypothèses. Mes fictions claudicantes sont bien inoffensives. Elles ne génèrent aucun regret, aucun sentiment coupable. C'est mon amnésie que tu nommes ingratitude et que tu tentes de mater par ton "toujours une Vietnamienne".
~ p 29”
Vietnam
Laos
Débat
Ethnie
Scandals and Abstraction: Financial Fiction of the Long 1980s
“The two fathers present structurally the choice between two corporations, two modes of accumulation, two styles of financial masculinity. The Old Conservatism and the New Conservatism, the old patriarchy and the new patriarchy, the industrial monopoly capital of airlines and the monopoly financial capital of a corporate raider. Perhaps the film's most radical critique and uncertainty is that both paternal men are respectively ill. Gekko has the high blood pressure thats befits financial accumulation: It is able to be continually monitored, the sphygmomanomater is an instrument for the continuous conveying of exact information, diastolic and systolic ratios rise and fall in different social contexts. Bud's father is made sick by an old-fashioned, industrial heart attack - his illness is a consequence of the steady accumulation of arterial plaque.”
Style
Movie
Aesthetic
Representation
Financial Crisis
Oliver Stone
Financial Capital
Financial Masculinity
Gordon Gekko
Scandals and Abstraction: Financial Fiction of the Long 1980s
“The detective searches out clues as a way to unobjectify the past much like the historical materialist does. But a financial logic is different: it is future oriented, and one does not discover what was hidden, rather one waits to see what will be transacted, what financial future will become of the present.”
Realism
Capitalism
Postmodernism
Representation
Capitalism Realism
Financial Capital
The Library Book
“The library opened in January 1873. Membership was five dollars a year. At the time, five dollars represented several days' pay for an average worker, so only affluent people were able to join. Library rules were schoolmarmish and scoldy. Men were required to remove their hats upon entering the library, and patrons were discouraged from reading too many novels, lest they turn into what the association labeled "fiction fiends." Books considered to be "of dubious moral effect, or trashy, ill-written ones, or flabby ones" were excluded from the collection. Women were not allowed to use the main facilities, but a "Ladies Room" with a selection of magazines was added soon after the library opened. Children were not allowed in the library at all.”
Rules
Library
Schoolmarm
“a great way to hide the truth is to write a lot of non-fiction”
Essence
Priorities
Escapism
Hiding The Truth
Getting To The Point
Homo Deus: A History of Tomorrow
“Fiction isn't bad. It is vital.”
Fiction
Importance Of Fiction
Priestess of the White
“Happy endings are a luxury of fiction.”
Trudi Canavan
Truefacts
“One reason why fiction is a human necessity is that it satisfies many unconscious as well as conscious needs. It would be important if it only touched the conscious mind, as expository writing does. But fiction is important, too, because it also touches the unconscious.
[How to Read a Book (1972), P. 215]”
Reading Fiction
Unconscious Needs
Human Necessity
The Happiness Hypothesis: Finding Modern Truth in Ancient Wisdom
“You create your story in consciousness as you interpret your own behavior, and as you listen to other people's thoughts about you. The life story is not the work of a historian [...]; it is more like a work of historical fiction that makes plenty of references to real events and connects them by dramatizations and interpretations that might or might not be true to the spirit of what happened.”
Pop Psychology
Power Writing: Make Your Genre Fiction Soar: by the Author of The Silk & Steel Saga
“Taken to the highest form, description should be both a window to the world and a mirror reflection the heart and soul of the point-of-view character.”
Writing
Fiction Writing
Fiction Writing Process
Power Writing: Make Your Genre Fiction Soar: by the Author of The Silk & Steel Saga
“If theme is the soul of a story, then the characters are its beating heart.”
Writing
Fiction Writing
Fantasy Writing
Power Writing: Make Your Genre Fiction Soar: by the Author of The Silk & Steel Saga
“Themes elevate a good book to a great read.”
Writing
Fiction Writing
Fantasy Writing
Power Writing: Make Your Genre Fiction Soar: by the Author of The Silk & Steel Saga
“Themes are the very souls of stories.”
Writing
Writing Fiction
Writing Fantasy
Power Writing: Make Your Genre Fiction Soar: by the Author of The Silk & Steel Saga
“Stories pervade our lives. This inundation of content makes us all export story listeners, or expert story readers, but only a few of us dare to become expert story tellers. We dare to add our tales to the collective memory of mankind that stretches back to early cave paintings.”
Writing
Writing Fiction
Writing Fantasy
Power Writing: Make Your Genre Fiction Soar: by the Author of The Silk & Steel Saga
“From the moment we are born, we are swaddled in stories.”
Writing
Writing Fiction
Writing Fantasy
“When I think of cyberpunk, I inevitably relive in my mind the awesomeness that was William Gibson's pioneering cyberpunk masterpiece, Neuromancer. That book changed the way I looked at science fiction and revitalized the promise it held to the world. Lizard Girl & Ghost comes as close to that experience and that promise as anything I've read since.”
Science Fiction
Virtual Reality
Avatars
Cyberpunk Scifi
The Rational Bible: Exodus
“The lack of attention to Moses’s sons here and elsewhere in the Torah—essentially nothing is said about them—needs to be explained. And the explanation is probably this: They did not amount to much. This raises the interesting issue of the difficulty many children of great people face in leading successful and satisfying lives. In a book about Moses, ‘Overcoming Life’s Disappointments’, Rabbi Harold Kushner writes about this: Sometimes the father casts so large a shadow that he makes it hard for his children to find the sunshine they need to grow and flourish. Sometimes, the father’s achievements are so intimidating that the child just gives up any hope of equaling him. But mostly, I suspect, it takes so much of a man’s [the father’s] time and energy to be a great man—great in some ways but not in all—that he has too little time left to be a father. As the South African leader Nelson Mandela’s daughter was quoted as saying to him, ‘You are the father of all our people but you never had time to be a father to me.’
Kushner relates a remarkable story he read in a magazine geared toward clergy, a fictional account of a pastor in a mid-sized church who had a dream one night in which a voice said to him, ‘There are fifty teenagers in your church, and you have the ability to lead forty-nine of them to God and lose out on only one.’ Energized by the dream, the minister throws all his energy into youth work, organizing special classes and trips for the church’s teens. He eventually develops a national reputation in his denomination for his work with young people. ‘And then one night he discovers his sixteen-year-old son has been arrested for dealing drugs. The boy turned bitterly against the church and its teachings, resenting his father for having had time for every sixteen-year-old in town except him, and the father never noticed. His son was the fiftieth teenager, the one who got away.’
Of course, this was not necessarily true of Moses’s children, but the silence of the Torah concerning his children (which is not the case with the children of Abraham, Isaac, Jacob, and Aaron) serves as an important reminder to parents who have achieved success to be sure to make time for their children. They need to try to ensure their children feel they occupy a special place in their parents’ hearts and no matter how pressing the parent’s responsibilities he or she will always find time for them.”
Moses
Nelson Mandela
Raising Children
Neglecting Children
Successful Parents
“In response to be asked about Boris Johnson becoming UK Prime Minister...
"I'm delighted. As the UK continues to plunge ever faster into a future akin to a dystopian novel I'll never run out of material to write more books. Although now that reality is more bizarre than fiction maybe plot-lines will need to be more ambitious. Perhaps a book where Boris Johnson is really an accidental sentient snafu of Trump's scrotum lint. Kind of a sequel to the Bush-Blair story. I see musical rights being drawn up as we speak.”
Politics
Dystopian
Dystopian Future
Politicians
Satire
Political
Prime Minister
Satire Quotes
Satire Quote
The Year's Best Science Fiction: First Annual Collection
“When I was learning the anthologist’s trade many years ago, sitting at the knees—metaphorically speaking, at least—of veteran anthologists like Damon Knight and Robert Silverberg, I was taught that you should always save your strongest and best story for last.”
Editing
Anthologies
Trade Secret
“I’ve read hundreds of novels in my life, most of them claiming that love was the center of the universe. That it could heal any damage inside of us. That it was what we needed to survive. From Darcy to Heathcliff, I thought they were fools. That love was something fictional, only found in worn pages of a book. That it was just made up to keep humans full of hope, that it was a lie. But all that changed since I met my Elizabeth Bennett. I never thought I would find myself completely and utterly consumed by another until her. She took my hand and led me out of the darkness and showed me that, whatever our souls are made of, hers and mine are the same.
I’m sorry, please forgive me.
You once asked me who I loved most in this world.
It’s you.
— Hardin ( Movie- "After" - Hardin's letter to Tessa )”
After
Tessa Young
Hardin Scott
Movie After
The Social History of Art: Volume 2: Renaissance, Mannerism, Baroque
“But what are theses "essentials"? They are the lasting, unchanging, inconrruptible things whose value lies, above all, in their remoteness from mere actuality and chance. On the other hand, the concrete and the direct, the accidental and the individual - whose things which the art of the Quattrocento considered the most interesting and substantial elements in reality - are regarded by this art as inessentials.
The elite of the High Renaissance creates the fiction of a timeless valid, "eternally human" art because it wants to think of its own influence and position as timeless, imperishable, and immutable. In reality, of course, its art is just a time conditioned, just as limited and transitory, with its own standards of value and criteria of beauty, as the art of any other period. For even the idea of timelessness is the product of a particular time, and the validity of absolutism just as relative as that of relativism.
”
Art
Relativism
Absolutism
High Renaissance
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